Wednesday, September 7, 2016

'Annie' at MBS in Review


Annie by Base Entertainment
Running till 11 September 2016 at MBS's Mastercard Theatres
Review by Jeremy Lee

One may think the latest production of Charles Strouse’s iconic musical Annie, brought to our Zika-infected island again by the gracious-as-always folks at the MasterCard Theatres at Marina Bay Sands, needs no introduction.

However, one may not have seen the original Broadway production, of which the current show bills itself as.

Exactly how original is original? Well for those who are only familiar with the 1982 movie version starring Albert Finney and Carol Burnett, or God forbid, the 2014 movie starring Jamie Foxx, Rose Byrne and Cameron Diaz (if you saw that travesty, we won't hold it against you but please wash your ears out with soap. Now.), this show may come as a shock as it remains faithful to the stage version that opened in Broadway way back in 1977..

That means you will hear songs you may not be familiar with, like "We'd Like To Thank You Herbert Hoover" and "A New Deal For Christmas", as they were cut from the show for the movie.

After getting over the shock of hearing these songs, you kinda realise why they were cut - they are among the weaker tunes, and some of them, especially "We'd Like To Thank You" need some understanding of the historical context of the play.

But admittedly, though, most of the people who would watch the show are families who want to see cute children singing "Tomorrow" and musical theatre die-hards like myself who already know everything. Of the non-die-hards, who has the time to find out who Herbert Hoover is?

(Herbert Hoover is a former president of the United States (1929-1933) whose reign coincided with the Great Depression (1929-1939) and who was widely blamed for it. This show is set in 1933 New York, and "We'd Like To Thank You" is a sarcastic ditty sang by the residents of a shantytown named after him called “Hooverville”. You're welcome.)

Back to the cute children. One would be delighted to know that they are very adorable indeed. I'm not partial towards children and usually don't fancy watching children on stage or screen (or anywhere else), but I do make an exception when the children in question are this good in singing and dancing.

11-year-old heroine Annie (Heidi Gray) is in possession of a very clear, plaintive voice, and her innocent-yet-strong vocals are ideal for show-stoppers "Tomorrow" and "Maybe". I've heard these songs a thousand times and I don't think I've heard them sung better.

Her compatriots from the orphanage win audience's hearts with their equally plucky singing and game antics. Sure, I spotted a few dancing flubs but they made up for it by sheer gung-ho and the fact that, well, they are children.

Of the adult actors, a stand out is Miss Hannigan (Lynn Andrews), the designated comic villain of the show, but so much more than that. She brings unexpected heart, impeccable comic timing and a brassy voice to what is often a thankless role.

So watch Annie to see an old-school musical with good production values and great performances that will your tug at your heart strings.



Annie runs till 11 September 2016. Check out the Events Page for details.

Related Feature:

Our exclusive interview with the Annie cast and production sneak peak.

Tuesday, September 6, 2016

RawGround - SG51 - 8 to 10 Sep and 15 to 17 Sep 2016


Here is a new multi-disciplinary performance that will run from 8 to 10 September and 15 to 17 September 2016, at the Goodman Arts Centre Black Box.



RawGround - SG51

"The world is your playground. Why aren't you playing?" Ellie Katz

As part of the SG 51 Season, RawGround - a creative platform for company artists- turns into an imaginative playground for developing original voices via innovative collaborations.

Inspired by local writers, our creators achieve their own ingenuity through rediscovering and experimenting with the dialogue between literary text and movement.



Check out http://rawground2016.peatix.com for tickets.

'Sleeping Naked' by In Source Theatre in Review


Sleeping Naked by In Source Theatre
2 September show at the Black Box, Centre 42
Review by Jeremy Lee

In Source Theatre’s latest play, Sleeping Naked, is a doozy if there ever was one.

Stony (Michael Cheng), a spiritualist, seeks purity at all costs, and the play does its best to convince us of that with lengthy monologues where he describes his ideals and how he wants to emulate late Indian leader Mahatma Gandhi, who slept naked with women to test his ability to withstand temptation.

He provides spiritual guidance to people, and aims to open an ashram one day. His beliefs aren’t tied to a single religion, however; he aspires to be Gandhi, who is Hindu, yet also talks about Adam and Eve from the Christian Bible and mentions the Tao Te Jing, a fundamental Taoist text.

But no matter. Stony's fatal flaw, one that makes him an unsympathetic character, is that he is so obsessed with his quest that he is blind to how it is affecting his nearest and dearest.

For it is the story of how Stony's family unravels under his nose that is the more engrossing one, not his spiritual quest.

Cheng plays the spiritual man adequately, but shines when he efforts his doting and tender side in the scenes with daughter Leng Leng (Eng Kai-Er), the duo sharing a playful chemistry.



Thursday, September 1, 2016

SLO Turandot in review - 29 Aug 2016



As seen on Monday 29 August 2016, the Singapore Lyric Opera's revival of their 2008 Turandot production was an unequivocal triumph for the company.

Set in a bronze age rife with pagan rituals, Lo King-Man's production, featuring intricately detailed sets and costumes, provided sumptious support for the large cast of performers to shine. And shine they did, with stellar performances by all involved including a large cast of locally-based supporting perfomers, many of them making their mainstage debuts with the company. Baritone Alvin Tan started the show with his strong and authoritative reading as the Mandarin. Leslie Tay, first as the doomed Prince of Persia then Emperor Altoum, gave completely lived-in performances that communicated the inner conflicts of his characters. Although their combined harmonies did not quite mesh together at times. the trio of ministers, Martin Ng, Peter Ong and Raymond Lee, gave strong individual vocalism and provided comic relief in the otherwise solemn opera. Their showpiece in Act 2, where they reminisce about their respective hometowns, was beautifully sung with all three displaying lovely legato lines. Clad in a leather vest and wielding a large staff and ax, Ong Ding-Yi gave a fearsome, imposing presence as the executioner.


Tuesday, August 30, 2016

‘Lone Journeys' by In Source Theatre In Review - 28 Aug 2016


Lone Journeys
Conceived by Jacklyn Kuan
Texts written by Ellison Tan
Center 42, Singapore
28 Aug 2016
Directed and devised by Jacklyn Kuan
Actors: Alvin Koh, Akiko Otao, Kailin Yong

A Review by Hawk Liu

The performance space was truly a black, square box with 10-15 chairs in each corner for the audience. Three actors told their stories through a series of narrations, dialogues and physical interactions with each other. Dressed totally in white, they did an admirable job, serving the devised play well with their unfaltering physical acting, range of emotions and precision of delivery, albeit slightly speedy in some of the texts for comprehension.


The play itself was more like a psychological examination of the lives of three humans caught in a machine world. Although an interesting concept, the abstract approach may not appeal to everyone. The narratives in many places tend to be long drawn out and many long silences didn't help to move the story along. The abstract physical movements sometimes left me wondering what was happening.

Also, there was the insufficient interaction with the machine world. It could have made more sense to me if I could see more of their relationship with the machine world in order to empathize with their states of being. Their dream of the human world was not urgent, as a result. To some extent, yes, I have felt their journeys, but I am not sure whether they mattered to me at all. As a result, I didn't like the play.


Friday, August 26, 2016

Martin Ng's 'The Italian Baritone' with Boris Kraljevic and Li Jie - 17 Dec 2016


Singapore's very own leading operatic baritone Martin Ng presents a second gala concert in Singapore at SOTA Concert Hall on 17 December 2016, 7.30pm. The programme will consist of Romantic Italian operatic arias and duets by Verdi, Puccini and their contemporaries. 

Sharing the stage with Martin are internationally reknowned Montenegrin pianist Boris Kraljevic and Germany-based Singaporean PR Li Jie. 

Tickets are $40 each, with 10% discount for students and NSFs. More news to come in the following months, meanwhile you can get tickets at Peatix at http://peatix.com/event/181283. 

Or if online purchasing is not your thing, offline tickets will be available for purchase at Madison Academy of Music from 30 September onwards. Head over and buy them from the counter! 

Annie at MBS - Running till 11 Sep 2016


Our own correspondent Hawk Liu visits the set of MBS's Annie and interviews the cast to show us what we can look forward to. You can even watch clips from the actual theatrical production. Check it out here!



Also, 7 year-old Filomena Litani heads on the East Coast Park and speaks to passers-by who are also looking forward to the show. They even sing a rousing rendition of Tomorrow live on the streets!


Tickets for Annie are now on sale at SISTIC. Check it our on their website here!
http://www.sistic.com.sg/events/annie0916